Edward Hopper Summer Interior painting

Edward Hopper Summer Interior paintingEdward Hopper Sailing paintingEdward Hopper Ryder's House painting
analogy her own (in fact somewhat different) sense of impending catastrophe (which had to do not with recurring patterns but with the inescapability of the unforeseeable), but he fixed her with a hurt stare that told her he'd never heard of the writer, let alone The Defence. Conversely, he surprised her by asking, oUt of the blue, "Why Picabia?" Adding that it was peculiar, was it not, for Otto Cohen, a veteran of the terror camps, to go in for all that neo-Fascistic love of machinery, brute power, dehumanization glorified. "Anybody who's spent any time with machines at all," he added, "and baby, that's us all, knows first and foremost there's only one thing certain about them, or bicycle. They go wrong." Where did you find out about, she began, and faltered because she didn't like the patronizing note she was striking, but he answered without vanity. The first time he'd heard about Marinetti, he said, he'd got the wrong end of the stick and thought Futurism was something to do with puppets. "Marionettes, kathputli, at that time I was