Monday, December 3, 2007

flower vase painting

flower vase painting
claude monet impressionism painting
impressionism monet painting
monet oil painting It was a strange and frightful spectacle- the small, bunk-lined space, the floor and walls leaping and lurching, the dim light, the swaying shadows lengthening and foreshortening monstrously, the thick air heavy with smoke and the smell of bodies and iodoform, and the inflamed faces of the men- half-men, I should call them. I noted Oofty-Oofty, holding the end of a bandage and looking upon the scene, his velvety and luminous eyes glistening in the light like those of a deer; and yet I knew the barbaric devil that lurked in his breast and belied all the softness and tenderness, almost womanly, of his face and form. And I noticed the boyish face of Harrison,- a good face once, but now a demon's,- convulsed with passion as he told the newcomers of the hell-ship they were in and shrieked curses upon the head of Wolf Larsen. ¡¡¡¡Wolf Larsen it was, always Wolf Larsen, enslaver and tormentor of men, a male Circe and these his swine, suffering brutes that groveled before him and revolted only in drunkenness and in secrecy. And was I, too, one of his swine? I thought. And Maud Brewster? No! I ground my teeth in my anger and determination till the

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